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Pour quelques rameaux de laurier!

"Mrs. Smith's carriage stops the way!"

Pour quelques rameaux de laurier!

I hope that my reader has followed my illustration, and finished it off for himself. Let me give a few practical examples. An American and an Englishman meet in a foreign land. The Englishman has occasion to mention his weight, which he finds has gained in the course of his travels. "How much is it now?" asks the American. "Fourteen stone. How much do you weigh?" "Within four pounds of two hundred." Neither of them takes at once any clear idea of what the other weighs. The American has never thought of his own, or his friends', or anybody's weight in stones of fourteen pounds. The Englishman has never thought of any one's weight in pounds. They can calculate very easily with a slip of paper and a pencil, but not the less is their language but half intelligible as they speak and listen. The same thing is in a measure true of other matters they talk about. "It is about as large a space as the Common," says the Boston man. "It is as large as St. James's Park," says the Londoner. "As high as the State House," says the Bostonian, or "as tall as Bunker Hill Monument," or "about as big as the Frog Pond," where the Londoner would take St. Paul's, the Nelson Column, the Serpentine, as his standard of comparison. The difference of scale does not stop here; it runs through a great part of the objects of thought and conversation. An average American and an average Englishman are talking together, and one of them speaks of the beauty of a field of corn. They are thinking of two entirely different objects: one of a billowy level of soft waving wheat, or rye, or barley; the other of a rustling forest of tall, jointed stalks, tossing their plumes and showing their silken epaulettes, as if every stem in the ordered ranks were a soldier in full regimentals. An Englishman planted for the first time in the middle of a well-grown field of Indian corn would feel as much lost as the babes in the wood. Conversation between two Londoners, two New Yorkers, two Bostonians, requires no foot-notes, which is a great advantage in their intercourse.

Erect, half buried, slant or prone,

Wilton, the seat of the Earl of Pembroke, within an easy drive's distance from Salisbury, was the first nobleman's residence I saw in my early visit. Not a great deal of what I then saw had survived in my memory. I recall the general effect of the stately mansion and its grounds. A picture or two of Vandyke's had not quite faded out of my recollection. I could not forget the armor of Anne de Montmorenci,--not another Maid of Orleans, but Constable of France,--said to have been taken in battle by an ancestor of the Herberts. It was one of the first things that made me feel I was in the Old World. Miles Standish's sword was as far back as New England collections of armor carried us at that day. The remarkable gallery of ancient sculptures impressed me at the time, but no one bust or statue survived as a distinct image. Even the beautiful Palladian bridge had not pictured itself on my mental tablet as it should have done, and I could not have taken my oath that I had seen it. But the pretty English maidens whom we met on the day of our visit to Wilton,--daughters or granddaughters of a famous inventor and engineer,--still lingered as vague and pleasing visions, so lovely had they seemed among the daisies and primroses. The primroses and daisies were as fresh in the spring of 1886 as they were in the spring of 1833, but I hardly dared to ask after the blooming maidens of that early period.

One memory predominates over all others, in walking through the halls, or still more in wandering through the grounds, of Wilton House. Here Sir Philip Sidney wrote his "Arcadia," and the ever youthful presence of the man himself rather than the recollection of his writings takes possession of us. There are three young men in history whose names always present themselves to me in a special companionship: Pico della Mirandola, "the Phoenix of the Age" for his contemporaries; "the Admirable Crichton," accepting as true the accounts which have come down to us of his wonderful accomplishments; and Sidney, the Bayard of England, "that glorious star, that lively pattern of virtue and the lovely joy of all the learned sort, ... born into the world to show unto our age a sample of ancient virtue." The English paragon of excellence was but thirty-two years old when he was slain at Zutphen, the Italian Phoenix but thirty-one when he was carried off by a fever, and the Scotch prodigy of gifts and attainments was only twenty-two when he was assassinated by his worthless pupil. Sir Philip Sidney is better remembered by the draught of water he gave the dying soldier than by all the waters he ever drew from the fountain of the Muses, considerable as are the merits of his prose and verse. But here, where he came to cool his fiery spirit after the bitter insult he had received from the Earl of Leicester; here, where he mused and wrote, and shaped his lofty plans for a glorious future, he lives once more in our imagination, as if his spirit haunted the English Arcadia he loved so dearly.

Suppose there to be a reasonable chance that he will come home alive, what is the use of one's going to Europe after his senses have lost their acuteness, and his mind no longer retains its full measure of sensibilities and vigor? I should say that the visit to Europe under those circumstances was much the same thing as the petit verre,--the little glass of Chartreuse, or Maraschino, or Cura?oa, or, if you will, of plain Cognac, at the end of a long banquet. One has gone through many courses, which repose in the safe recesses of his economy. He has swallowed his coffee, and still there is a little corner left with its craving unappeased. Then comes the drop of liqueur, chasse-caf��, which is the last thing the stomach has a right to expect. It warms, it comforts, it exhales its benediction on all that has gone before. So the trip to Europe may not do much in the way of instructing the wearied and overloaded intelligence, but it gives it a fillip which makes it feel young again for a little while.